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Then Abilena falls pregnant and is forced to marry the baby’s father. Abilena has big dreams and is planning to leave her hometown to pursue them, while her friend, who acts as the song’s narrator makes her promise to write. “Calico Plains”, written with Mike Noble, tells the story of two young girls growing up in the midwest.
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RCA released it as a single and had a video produced, but by that time Berg’s career momentum had been lost and the record failed to chart.Ī handful of the other tracks showcase Matraca’s considerable talent as a songwriter and a storyteller. The original version resurfaced on a compilation album in 1999. In between those two versions, Trisha Yearwood covered it for her The Song Remembers When album, which was released in 1993. Berg re-recorded the song for her second album, The Speed of Grace, a pop effort that was released in 1994. My favorite track and perhaps the best known is the beautiful title track, which features a haunting cello solo. The jazzy “I Got It Bad”, which finds her waiting for the phone to ring and obsessing over a new love interest only reached #43, and the excellent “I Must Have Been Crazy”, which which she’s fighting off madness - without much success - after another bad break-up, died at #55. The two songs, which were co-written with frequent collaborator Ronnie Samoset, are Berg’s highest charting singles as a recording artist. At the time, I really thought this one would be a huge hit, but like its predecessor, it peaked at #36.
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The follow-up, “The Things You Left Undone”, which I like much better, is another uptempo number about an independent-minded woman who is picking up the pieces and getting on with her life after the end of a relationship. “Baby, Walk On”, the first single, is not the strongest or most original song on the disc, but it was an uptempo number that was well within the constraints of what country radio was playing at the time. Nevertheless, Lying to the Moon was only moderately successful. The material, which was first-rate and designed to appeal to mainstream listeners, was certainly not at fault. While not quite in the same league as Reba McEntire and Trisha Yearwood, Matraca was an above-average vocalist and was reasonably attractive - and therefore, marketable. It isn’t clear to me why the album didn’t enjoy more commercial success. Lying to the Moon, her first project for the label, was produced by Josh Leo and Wendy Waldman, and consisted of ten top-notch songs, all of which Matraca had a hand in writing. Matraca became a recording artist when she landed a deal with RCA in 1990. Her next big success came four years later when Reba McEntire scored a #1 hit with “The Last One to Know”, which Berg had co-written with Jane Mariash. Matraca Berg’s first success in country music came in 1983 when she was 19 years old and co-wrote “Faking Love” with Bobby Braddock, which became a #1 for T.G.